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by Francesca Naibo

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Mae Lougon 03:55
Toundaleda 04:39
Nadare Nura 02:56
Fadada 04:40
Lanka 03:44
Foush 01:41
Teing Dol 02:22
Gontenghen 03:00
Fron-ne 05:13
Dengoro 01:29
Groff 04:56
Walee 01:29
Tandiketi 03:20


Listening to ‘Namatoulee’ offers a wonderful uniquely colorful sonic experience. An absolute joy to experience, it’s full of intriguing soundscapes and inspirational personal expression: outstanding original musical stories that transcend words and traditional frameworks, all seemingly informed by an inspired and deeply thoughtful personal psychology.

I met Francesca Naibo while conducting an improvisation workshop in Venice in 2019. The first time that we played together (and all subsequent times) resulted in a memorable and particularly satisfying musical experience. Listening to her solo expression on this record is a revelation, as well.

Francesca sounds like no one else: a dynamic and talented improviser/composer bringing important and original sounds to the world of music. She has a masterful command with her instrument and the sounds and broad range of timbre possibilities it offers. There is a passion for music/sound/sculpture and dynamic interaction, originating from an innovator who seemingly believes in herself and her individual process for creativity.

But also, this is a musical expression that transcends the ‘personality’ of the performer, eloquently taking us into the abstract world of something/somewhere else; an important place where communication transcends beyond what we think we know or want to say.

Hank Roberts


released June 5, 2020

Francesca Naibo – guitar, objects, effects, composition

Recorded by Stefano Castagna at Ritmo&Blu Studio in Pozzolengo (Italy) on 25-26 July, 2019

Mixed and mastered by Stefano Castagna at Ritmo&Blu Studio in Pozzolengo (Italy)

Artwork and Layout by Sandro Crisafi

Produced by Francesca Naibo and Aut Records in April 2020




Aut Records Berlin, Germany

Aut Records is a record label dedicated to experimental and research music. We are trying to describe a musical environment that cannot be assigned to a particular genre, and is removed from any specific musical language.

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