Namatoulee
by Francesca Naibo
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1. |
Mae Lougon
03:55
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2. |
Toundaleda
04:39
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3. |
Nadare Nura
02:56
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4. |
Fadada
04:40
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5. |
Lanka
03:44
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6. |
Làmeda Lemèda
03:17
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7. |
Foush
01:41
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8. |
Teing Dol
02:22
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9. |
Gontenghen
03:00
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10. |
Fron-ne
05:13
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11. |
Dengoro
01:29
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12. |
Groff
04:56
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13. |
Walee
01:29
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14. |
Tandiketi
03:20
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about
Listening to ‘Namatoulee’ offers a wonderful uniquely colorful sonic experience. An absolute joy to experience, it’s full of intriguing soundscapes and inspirational personal expression: outstanding original musical stories that transcend words and traditional frameworks, all seemingly informed by an inspired and deeply thoughtful personal psychology.
I met Francesca Naibo while conducting an improvisation workshop in Venice in 2019. The first time that we played together (and all subsequent times) resulted in a memorable and particularly satisfying musical experience. Listening to her solo expression on this record is a revelation, as well.
Francesca sounds like no one else: a dynamic and talented improviser/composer bringing important and original sounds to the world of music. She has a masterful command with her instrument and the sounds and broad range of timbre possibilities it offers. There is a passion for music/sound/sculpture and dynamic interaction, originating from an innovator who seemingly believes in herself and her individual process for creativity.
But also, this is a musical expression that transcends the ‘personality’ of the performer, eloquently taking us into the abstract world of something/somewhere else; an important place where communication transcends beyond what we think we know or want to say.
Hank Roberts
I met Francesca Naibo while conducting an improvisation workshop in Venice in 2019. The first time that we played together (and all subsequent times) resulted in a memorable and particularly satisfying musical experience. Listening to her solo expression on this record is a revelation, as well.
Francesca sounds like no one else: a dynamic and talented improviser/composer bringing important and original sounds to the world of music. She has a masterful command with her instrument and the sounds and broad range of timbre possibilities it offers. There is a passion for music/sound/sculpture and dynamic interaction, originating from an innovator who seemingly believes in herself and her individual process for creativity.
But also, this is a musical expression that transcends the ‘personality’ of the performer, eloquently taking us into the abstract world of something/somewhere else; an important place where communication transcends beyond what we think we know or want to say.
Hank Roberts
credits
released June 5, 2020
Francesca Naibo – guitar, objects, effects, composition
Recorded by Stefano Castagna at Ritmo&Blu Studio in Pozzolengo (Italy) on 25-26 July, 2019
Mixed and mastered by Stefano Castagna at Ritmo&Blu Studio in Pozzolengo (Italy)
Artwork and Layout by Sandro Crisafi
Produced by Francesca Naibo and Aut Records in April 2020
Francesca Naibo – guitar, objects, effects, composition
Recorded by Stefano Castagna at Ritmo&Blu Studio in Pozzolengo (Italy) on 25-26 July, 2019
Mixed and mastered by Stefano Castagna at Ritmo&Blu Studio in Pozzolengo (Italy)
Artwork and Layout by Sandro Crisafi
Produced by Francesca Naibo and Aut Records in April 2020
license
tags
about
Aut Records Berlin, Germany
Aut Records is a record label dedicated to experimental and research music. We are trying to describe a musical environment that cannot be assigned to a particular genre, and is removed from any specific musical language.
discography
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Apr 2024 -
Apr 2024 -
Mar 2024 -
Mar 2024
contact / help
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